2010/07/16

Another Toss of the Shuttle

Life isn't so much a fabric as it is a fascinating, intricate tangle of seemingly unrelated things.

I've long been a fan of Richard Feynman's stories. In 1992 I read about his last adventure, a quest to visit Tannu Tuva: "Tuva or Bust." A central element of the story is Tuvan throat singing.

My grandfather had had a distinctive singing gimmick, one which had helped him establish his character of "Frog Millhouse" in old western movies. As I read the description of throat singing in "Tuva or Bust", I began to wonder whether Grandpa had in fact been a country and western throat singer.

Fast forward to 2005. I was living in Santa Fe, not far from the site of one of Dr. Feynman's early adventures. My friend Bobi, who had once worked at Los Alamos, was getting ready to adopt a baby from Kazakhstan. As we prepared for her trip we came across the story of Paul Pena, a blind R&B musician who among other things had written the Steve Miller Band hit, "Jet Airliner." Listening to a San Francisco radio station, Mr. Pena had heard some intriguing vocal music which turned out to be Tuvan throat singing. The music was being aired because a group of Tuvans was visiting the United States, in a cultural exchange visit which was a posthumous result of Dr. Feynman's efforts to visit Tuva.

Paul Pena taught himself to sing in the rumbling style of kargyraa, somehow became connected with the author of "Tuva or Bust", Ralph Leighton, and ended up traveling to central Asia, where he won a prize in a throat-singing competition.

Mr. Pena's adventure, and some of his life's trials, were captured in the bittersweet movie "Genghis Blues."

Almost a year after Mr. Pena died, Bobi departed to Kazakhstan. I went along, and we came together with one of the most wonderful people I've ever known. She's now Bobi's daughter, and my god-daughter.

We made a video of the trip. The obvious choice of background music for the air travel segments was Mr. Pena's "Jet Airliner."


With all of this as background, today I came across an NPR interview with Billy West, who provides much of the voice of Futurama:

On Popeye
I loved Jack Mercer, and I got him. I understood him. And what helped me understand that Popeye voice — it's a high voice and a low voice at the same time — cause when I was a kid, we all used to try to do that and we all stunk. It didn't sound right. So one day, I see this film — it was an independent film called Genghis Blues. And it was about [Paul Pena] ... And he was listening to a world-band radio one night, and he heard this strange noise. And it was a program about Tuvan singers. And Tuvans had a way of singing where they could do one and two voices. And I realized, 'Oh man, that's how this guy did it. Jack Mercer.' [He imitates both voices.] There'd be two voices, an octave apart. And he'd put them together."




at 23:33

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